Michael Haefliger, executive and artistic director of the
Lucerne Festival, presented details of the 2006 lineup at a reception
in New York last week.
Claudio Abbado will lead the Lucerne Festival Orchestra, which he
founded in 2003, in the opening-night concert on August 10. The program
includes Mahler's Symphony No. 6 and Mozart arias, with Cecilia Bartoli
as soloist.
In a friendly reference to the Salzburg Festival, Haefliger joked that
all of Mozart's operas will not be presented at Lucerne; although
Anne-Sophie Mutter and Lambert Orkis will play all of Mozart's sonatas
for piano and violin.
The theme of the summer festival is language. Key works in the
"language" cycle include Mahler's Symphony No. 8; a concert version of
Verdi's Falstaff; Schoenberg's Gurrelieder,Erwartung, and Survivors From Warsaw; Weill's Berlin Requiem; plus music by Schubert and Mozart. Soloists include Matthias Goerne, Cecilia Bartoli, and Thomas Quasthoff.
Five orchestras-in-residence—the Philadelphia Orchestra with Christoph
Eschenbach; the Cleveland Orchestra with Franz Welser-Möst; the Vienna
Philharmonic with Nikolaus Harnoncourt, Valery Gergiev, and HK Gruber;
the Koninklijk Concertgebouworkest with Mariss Jansons; and the San
Francisco Symphony with Michael Tilson Thomas—will play three concerts
each.
The festival will present sixteen world-premiere performances,
including works by Klaus Huber, Heinz Holliger, and Hanspeter Kyburz.
The ninth Lucerne Piano Festival, which runs November 20-26, highlights
a wide range of keyboard repertoire from classical to jazz. Artists
this year include Lang Lang, Evgeny Kissin, Alfred Brendel, and Hélène
Grimaud.
Lucerne is also host to an Easter Festival, which opens April 1,
dedicated to sacred and Baroque music, period instruments, and vocal
repertoire.
Jonathan Nott conducts this BBC Prom Concert, featuring the U.K. premiere of Wolfgang Rihm's Verwandlung, Schumann's Piano Concerto (with Hélène Grimaud) and Mahler's 4th Symphony.
James
Levine joins Tanglewood's Vocal and Conducting Fellows for Hindemith,
Stravinsky and the U.S. stage premiere of Elliott Carter's only opera, What Next?