The Cleveland Orchestra opens its 2005-06 season, its 75th at Severance Hall, with a concert tonight featuring Brahms' Academic Festival Overture, Ives' Second Symphony, and Brahms' First Symphony. Music director Franz Welser-Möst conducts.
The program repeats on September 24.
The orchestra's 2005-06 season will include a world premiere work by Georg Friedrich Haas, concert performances of Verdi's Falstaff
with bass-baritone Thomas Quasthoff, and a series of performances celebrating
the 250th anniversary of the birth of Wolgang Amadeus Mozart.
Haas's Poeme, which was commissioned by the orchestra, is scheduled for March 2006. The season also includes the American premieres of Diptych by Julian Anderson, the orchestra's newly appointed Daniel R. Lewis Young Composer Fellow; Chen Yi's Si Ji (Four Seasons),
which the orchestra will debuted at the Lucerne Festival in August; and Marc-André
Dalbavie's Piano Concerto, with Leif Ove Andsnes, which premiered at the
BBC Proms this past summer.
The Mozart on the schedule includes two weeks of piano concertos
performed and conducted by Mitsuko Uchida, the orchestra's artist in residence,
as part of a five-year cycle of the composer's concertos.
Also among the guest soloists on the schedule are pianist Pierre-Laurent
Aimard; violinist Leila Josefowicz; sopranos Heidi Grant Murphy, Felicity
Lott, and Karita Mattila; mezzo-soprano Lorraine Hunt Lieberson; and baritones
Thomas Hampson and Simon Keenlyside.
Music director Franz Welser-Möst will conduct 12 weeks of concerts, leading, among other works, Bach's St. Matthew Passion, Messiaen's Turangalîla-symphonie, Thomas Adès' Chamber Symphony, Mahler's Symphony No. 9, and the Haydn Trumpet Concerto.
Guest conductors include the New York Philharnmonic's Lorin Maazel,
music director of the Cleveland Orchestra from 1972 to 1982; Robert Spano,
music director of the Atlanta Symphony; Michael Tilson Thomas, music director
of the San Francisco Symphony; Vladimir Ashkenazy, the orchestra's former
principal guest conductor; Donald Runnicles, music director of the San Francisco
Opera; and Osmo Vänskä, music director of the Minnesota Orchestra.
The
ASO's Lincoln Center season opens with a program of American music, including
works by Roger Sessions, Randall Thompson, and their teacher, the Swiss-born
Ernest Bloch. Music director Leon Botstein conducts.
Three
of opera's top stars — Cecilia Bartoli, Renée Fleming, and Plácido Domingo
— offer major new releases; an enterprising boutique label makes its American
debut.