OLD INTERVIEWS AND REVIEWS



DIE WELT MÄRZ 2002

MUSIK UND THEATER 1998

MUSIK - DIE AUS DER STILLE KOMMT

THE LEBRECHT WEEKLY 2000

BAYERN KLASSIK
AUDIO

'ICH BEREUE KEINE SECUNDE...'


TANNHÄUSER IN LONDON

NEUE ZÜRCHER ZEITUNG

MAGAZIN OPERNHAUS ZÜRICH



TRISTAN IN WIEN


VERBINDUNG ZU LIEBGEWORDENEN
MENSCHEN DAHEIM REISST NIE AB

RODERIC DUNNETT TALKS
TO AUSTRIAN CONDUCTOR



FIERRABRAS IN PARIS

ERFOLG MIT EINER RARITÄT

WELSER-MÖST:
KRITIK AN SALZBURG

FRANZ WELSER-MÖST
WEISS NICHTS
VOM SALZBURGER GLÜCK


***
CHEN YI RECEIVES COMMISSION
TO COMPOSE NEW WORK FOR THE CLEVELAND ORCHESTRA


LUZERN


WELSER-MÖST AND PLAYERS
CAPTIVATE SWISS AT NEW HALL



EDIMBURG

 

[...] HERE WAS AN ORCHESTRA OF ALMOST INCOMPARABLE POISE, REFINEMENT AND VITALITY SINKING ITS COLLECTIVE HEART AND SOUL INTO MAHLER'S MAGNIFICENT MUSINGS ON NATURE, LIFE AND LOVE. [...] HE DIDN'T BRING ALL OF THE OPENING MOVEMENT'S MYSTERIOUS AND EXHILARATING ASPECTS TOGETHER WITH COMPLETE AUTHORITY. HE PUSHED THE EXCITING EPISODES TO FRANTIC ENDS, AND HE NEUTRALIZED THE EBB AND FLOW OF PHRASES. [...] WELSER-MÖST'S PACING WAS BOTH PATIENT AND URGENT, WITH AMPLE SPACE FOR THE ORCHESTRA TO DEFINE MAHLER'S BENEVOLENT AND SUBLIME PHRASES IN ALL THEIR GLORY. [...]

 

DONALD ROSENBERG